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“Oh, Mosey, she un’erstan’s everything, she’s jist wonderful.” Betty’s voice was positive. Was there to be another murder? Ought he to call? If he did wouldn’t they turn on him—kill him? No matter. Some one might be on the road and hear. And he could run pretty fast. Anyway he must risk it. Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor..
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“You know she never does nothin’ to us really, Moses, no matter how she jaws. Come on, you clipped yer pony so lovely an’ evenlike. The horse-clippers is bangin’ on the wall behind you.” “Yes, go away, Billy; I’m not afraid.” May Nell laughed happily. Her quick mind was delighted with the masquerading. Betty reflected a moment. “When they got tired dancing they ’journed to the pansy bed. The queen set down on a big purple pansy that was jist like a lovely throne. The other fairies came an’ bowed low in front o’ her, then they gathered up their long silver trains an’ walked backwards. Then the queen rose up an’ walked all round among the flowers an’ the other fairies follered her. They waved their wands over all the flower beds, an’ that’s why they’ve all growed so lovely.” At this moment a wild whoop was heard, and through the open door Moses could be seen dashing out of the corral gate on his cow-pony..
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